Showing posts with label Natalie Daks. Show all posts
Showing posts with label Natalie Daks. Show all posts

Friday, November 7, 2014

A photo of Nattova and her vase

NATTOVA
The enormous flower pot

A while back, I came across the above photo on eBay. The only information I could find was this:
Folies Bergère, Waléry, 1928 Paramount, vintage silver print, "Fleurs..." Melle Nattova et Melle Dambreval
Tirage argentique d'époque
18x24
Circa 1928
Suzanne Dambreval
Presumably, it is a photograph, by Waléry, of a show at the Folies Bergère. Nattova is said to have danced with/at the FB. The photo also mentions "Melle Nattova et Melle Dambreval." I only see one dancer here, and I don't know if that dancer is Nattova or Dambreval.

THEN: today, I came across some intriguing photos of shows by Fanchon and Marco (the LA family firm). As we've seen, Natacha Nattova toured with F&M acts. Some of these shows seem to connect Nattova with the Folies Bergère. 
   
Here's the most interesting photo:


(Detail)
No information comes with this photo, beyond its being included among "Fanchon and Marco" photos and its being provided courtesy the Huntington Library.

This vase and the one from the Folies Bergère photo are very similar. The four-pedal flower at the top seem very similar in the two photos, as do other "flower" elements. 

So I figure we're looking at Nattova, probably in 1932. I guess she managed to bring this enormous vase prop back from Paris (or perhaps she had a new one created).

Here are some other intriguing photos from the same Huntington Library/F&M collection:

Nattova, explaining her "machine age" show, once said that she represents electricity




     I have found references to a Suzanne Dambreval who seemed active in the 20s and early 30s: 

Sheet music
April 1931, L'Express du Midi
L'Impartial, Dec 1925
L'Impartial, January 1926
May 1926, Fueille d'Avis de Neuchatel

Wednesday, November 5, 2014

Nicholas Daks (Nattova's husband, 1928)

Roxy Theatre, New York City, New York - February 18, 1928 

     It would be lovely to have a photo of Nattova's husband, Nicholas Daks (1897-1978), from the time of their marriage (they wed in 1928, apparently divorced in 1934).


     Well, the good news is that I found one, and it's dated 1928. The bad news is that it couldn't be much worse, resolution-wise. If you squint or view the photo from a distance, you'll see that the fellow had a high hair line, perhaps receding.

I tried to clarify his profile. Not sure how accurate this is.
     The photo, such as it is, appears on a Roxy Theatre "program" from February of 1928.

The Pajama Game Program for Aug 29 1957
Rockefeller Center
      By 1957, Daks was a production assistant at Radio City Music Hall (see under "Moods and Music" above).

     The New York Public Library has a cassette of an interview of Nicholas Daks and Marc Platt “on Radio City Music Hall.” I doubt that I can get my hands on it.
     The record for this library item includes the following information:
Host: Marian Horosko. Recorded in April 1965 and broadcast by radio station WNCN, New York, on its series, Profiles. Nicholas Daks was associate producer at Radio City Music Hall; Marc Platt was the director of the corps de ballet 
Mr. Daks and Mr. Platt discuss the first performance in Radio City Music Hall; Harald Kreutzberg; the Radio City Music Hall corps de ballet; the Rockettes; Jack Cole; Mr. Daks' background; the production procedure for a show at Radio City Music Hall.
     Daks, still married to a dancer with whom he worked starting (?) in the early 40s, died in Florida in 1978. As explained previously, Daks and Nattova wed in 1928 but Nattova, then referred to as Mrs. Nathalie Daks, filed for divorce in 1934. The breakup provided grist for the newspaper rumor mill in 1934 (Nathalie/Natacha accused another dancer, a woman married to a Hollywood director, of hanky panky with Nicholas. Her suit for alimony to pay for divorce expenses was denied by the judge.)
     The record, insofar as I can find it, is pretty blank after that.
     Oddly, census records indicate that Nathalie (the Natacha Nathalie, later called Natalie) was living with Daks six years later in New York, apparently as his wife. And yet it is clear that Daks is dancing with his future second(?) wife by 1941, perhaps earlier.
     Even more oddly, I found a record of Daks' marriage to yet another Natalie in 1932, which, presumably, would be during his marriage to Nathalie/Natacha, given that they were going through a divorce in 1934.


Variety, June 1936, Variety House Reviews
Music Hall, NY. Variety, Jan '41

Sunday, November 2, 2014

Variety, 1931

March, 1931, Brooklyn
     Here we see Nattova's evident decision to spell her surname (or her stage surname) with one "t." But why?

Variety, 1931 

January 
Nil 

February 
Nil 

March 
Brooklyn (“Natova”) 
New York (again “Natova”)




Variety, April 1931

Nil

Variety, May 1931

Nil
Ran across this. You'll recall that Nattova teamed with G. Rodion in the twenties.
Is this the same Rodion? Seems likely.

Saturday, November 1, 2014

Variety, 1930: lawsuits and injuries

Variety, January, 1930
Variety, Jan, 1930

CHICAGO Palace (18) 6
Davillos, Chesleigh & Gibbs,  Natacha Nattova,   Bob Hope Co.,  Webb Entertainers,  Harry Holmes Co,  Van Schenck,  Dakotas

Chicago, Jan, 18.
     Two names on this bill, but it is still an applecart overweighted with hokum and mediocrity. Van and Schenck showed who they are and what by wowing them, and were forced to do encores for nearly 10 minutes in next-to-closing. Natacha Nattova, in third spot, sold herself on the Death adagio with Nicholas Daks. Her other adagio, with the three men in the troupe assisting, was carelessly done.
     Surprise of this show came in the deuce with the first of the hokum artists, Irene Chesleigh and Ruth Gibbs. A bit hardboiled in cross-fire, but going exceptionally well with a Saturday mat audience. Show was opened, by the Dakotas, whip-cracking and lariat trio of two men and a girl. Filling, out the time is weak dancing and singing. Act was moved to closing after the first performance.
     Fourth came Bob Hope, combining his monologistic hoke with Harry Webb and Webb's band of 10 for a double act layout. Hope went none too well, and although he has been working with Webb in other places, where both were on the same bill, he doesn't improve the Webb act any. Two novelties by the bandsmen, one an old maid satire, gave the act something. Also the hoofing of a colored youngster.
     Harry Holmes, "The Pessimist," at the piano cap-gunned some as the first act after intermission, earning applause with his planted reactions. Followed by Van and Schenck. Over well as ever. Six Davillas, four men and two girls, closed with spring-board work and tumbling. Changed to opening after the first show.
     Business was off, due in part to the sub-zero temperature. Loop. Akron Palace St clair sis B & J Creighton Nattova co Evans & Mayer Local beauty c’test

Variety, Jan 1930
Nattova Suit Settled 
    Suit of Jack Vincent against Natacha Nattova for breach of contract was settled out of court this week for more than was originally asked.
    Vincent, through Attorney Thos. J. Ryan, claimed he had a four-year contract with Miss Nattova and that she broke away after the first year. He demanded $250. Action was called off when Miss Nattova forked over $430.

Variety Feb 1930 
Akron:
Chinese show boat, Fred Leightner, St Clair Sis & O'D,  B & J Creighton,  Nattova Co,  Evans & Moyer (One to AU)
MINNEAPOLIS Orpheum (16) Jack Major Danny Duncan Co Sully & Thomas Natacha Nattova MINNEAPOLIS Orpheum (22)
Helena Junta & c Manny King Co,  John Steel,  Burns & Allen,  Marveltone (15) Jack Major,  Danny Duncan Co,  Sully & Thomas,  Natacha Nattova

Nattova's Leg Injury 
     Minneapolis, Feb. 25. Natcha Nattova was forced to leave the Orpheum bill here last Tuesday because of a leg muscle injury. Danny Manahan's "Co-Eds" replaced.
      Miss Nattova resumed her tour Saturday in St. Paul.

St. Paul:
Rin Tin Tin, Sully & Thomas, Natacha Nattova
Winnipeg: Lomas Tr, Tyler Mason, Natacha Nattova, Sully & Thomas
PROVIDENCE …

Variety, March, 1930: 

WINNIPEG Capitol (8) Frabell's Frolics Manny King Co Nan Halperin Burns & Allen Lomas Company Tyler Mason Natacha Nattova Sully & Thomas
SPOKANE ■ Orpheum (15) Lomas Tr Tyler Mason Natacha Nattova Sully & Thomas 
UNION Hall
 Capitol 1st half (22-25) Natacha Nattova Sully & Thomas
SEATTLE Orpheum (29) Thomas Tr Tyler Mason Sully & Thomas Natacha Nattova
Vancouver Orpheum Lamas Troupe Tyler Mason Natacha Nattova Sully & Thomas
Vancouver….

Variety, April, 1930: 




Seattle
Tacoma
Portland
Denver
Oakland
San Francisco

Variety, May, 1930:

LOS ANGELES Hillstreet (10)
Lomas Tr,  Tyler Mason,  Sully & Thomas,  Natacha Nattova

OAKLAND Orpheum (10) Frabell's Follies,   Manny King Co,  Nan Halperin,  Burns & Allen,  (3) Lomas Tr,  Tyler Mason,  Sully & Thomas,  Natacha Nattova Co

[Article about RKO:]
     After Lomas on the four-act Coast unit this week is Tyler Mason, a blackface single. One of those singles who entertains nicely while he's on. A reliable deucer. Then Sully and Thomas, comic, and girl with much varied material. The act grows better with progress, finishing with a corking radio bit announced as from some previous issue of "Vanities." It's not a sensational week for comedy at the RKO, but it'll get along.
      Closing is Natacha Nattova, featured in the unit with three male assistants. Miss Nattova was among the first, if not the first, to present quartet adagio, and has dressed it novelly as an interpretation of the machine age. This number is from John Murray Anderson's "Almanac," and highlights an enjoyable act. Before this routine is a dance of death, also presented cleverly in adagio. On the screen is "He Knew Women" (Radio). And trade Thursday afternoon was nice.
      Only a philosopher could open or close a bill, by the way.

LOS ANGELES Hillstreet (17) Frabell's Follies,  Manny King Co,  Nan Halperin,  Burns & Allen,   (10) Lomas Tr, Tyler Mason, Sully & Thomas, Natacha Nattova

San Diego (same)

Salt Lake City, Orpheum
Lomas Tr, Tyler Mason, Sully & Thomas, Natacha Nattova

Variety, June 1930 

SALT LAKE CITY Orpheum (7) Frabell's Frolics,  Manny King & Co,  Nan Halperin,  Burns & Allen,   (31) Lomas Tr,  Tyler Mason,  Sully & Thomas,  Natacha Nattova

OMAHA Orpheum (14) Cherry Blossom & J D, Duncan & Co,  Nan Halperin,  Burns & Allen (7) Lomas Tr,  Tyler Mason,  Sully & Thomas,  Natacha Nattova

ST. LOUIS Keith's (81) Lomas Tr,  A Wycoft & Co,  Manny King & Co,  N Nattova Co,  Evans & Mayer,   Danny Dungan Co,  Nan Halperin,  Burns & Allen,  Mike Special & Bd,   (21) Lomas Tr,  Audrey Wycoff Co,  Manny King Co,  Evans & Mayer,  Natacha Nattova

KANSAS CITY Keith's (21) Danny Duncan Co,  Nan Halperin,  Burns & Allen,  Relay Kids (14) Loma Tr,  Tyler Mason,  Manny King & Co,  Evans & Mayer,  Natacha Nattova

Variety, July 1930

STATE-LAKE
(Vaudfilm) Chicago, July 5.
     This town hasn't seen so many solid variety names in a month of Sundays, taking in this house and the rival spot, the Palace." At the second show here Saturday, these names showed what good standard acts can do with any audience. Opening was Tom Lomas and Co. (seven), with hoke comedy, using a comedy prop horse for laughs, and closing with a flash of the performers on stilts. With youngsters, surefire.
     Joe Termini made the deuce a neat spot, and gathered in laughs and returns in his nonchalant manner. Solid material that never fails. Danny Duncan and Co. (five) managed several laughs with their skit of family quarrels, and squeezed in a couple of song and dance bits to break up the routine. Nan Halperin demonstrates a new phase with amusing impressions of worldlier ladies than she used to know. Especially noteworthy is Miss Halperin's easy transition from the little Alice to the hot queen Catherine, and finally to the tragic Harlem gal. Big.
     Natacha Nattova, with the help of three men, closed with a fine dance flash. Outstanding was the double adagio, and the closing "Mechanism," an Impression of this modern machine age. Done well.
     "Fall Guy" (Radio), feature. Business good, second show Saturday.

State Lake (12) La Belle Pola,   Audrey Wyckoff Co,  Jennie Goldstein,  George Givot,  Signore Friscoe Bd,   (5) Lomas Tr,  Joe Termini,  Danny Dungan Co,  Nan Halperin,  Nat Nattova Co

Variety, August 1930

Nil

Variety, September 1930

Nil

Variety, October 1930

Nil, except:


     Nattavo's Varieties? Marmita and Millet? Nattova and Co seem to be on a break.

Variety, November 1930

Nil

Variety, December 1930

Nil

Friday, October 31, 2014

Variety pic, Nattova, 1928

From Variety, Nov 1928

Nattova slapping episode, Part 2

     Part 2 of the "slapping" saga matches Part 1 for absurdity, but it could be lots of hooey. Judge for yourself.


AVENGES FACE SLAPPING
Edith Kelly Gould Assumes Offensive for Toots Pounds Against Russian Dancer
London, Sept. 15 [1925]

     Toots Pounds, now in America, should be pleased to know that her face has been avenged. A few weeks ago, while she was appearing in "Sky High" at the Palladium, a Russian dancer, Nattova, grew angry after long quarrels and smacked Toots' face violently.
     A few days ago Edith Kelly Gould, who is friendly with the management, saw Nattova walking on Bond street. Miss Gould rushed up and smacked her so violently across the face that the Russian girl was knocked across the pavement.
     "Why did you do that?" called Albert de Courville, the producer. "Fancy behaving like that on Bond street!"
     "It's a good thing it was on Bond street," Edith said. "If it had been on a side street I'd have killed her."
     Nattova is due in New York in a few weeks.


Variety, Oct 1925 

    ■When Variety of Sept. 16 [1925] reached London a howl went up over the story on the foreign pages about Edith Kelly Gould slapping the face of Nattova, the Russian dancer. It also stated that Miss Kelly afterward remarked: "If it had been on a side street, I'd have killed her." Nattova is the same dancer said to have slapped Toots Pounds when both were in "Sky High" at the London Palladium. 
    The howl appears to have come from the Kelly-de Courville side of the unpleasantness. Nattova, the one slapped, has yet to be heard from. Variety was requested by cable to deny the slapping story as someone must have hoaxed Variety into printing it, the cable said. 
     Also Variety's attention was called to the legal aspect; that to say anyone had said she would have killed another person, and with killing a crime almost anywhere excepting in Chicago, that Variety had laid itself wide open for a libel action.
* * *
     But who was Edith Kelly Gould? I do believe that she was the second wife of the son of the notorious Jay Gould. From Wikipedia:
     Frank Jay Gould (December 4, 1877 – April 1, 1956) was a philanthropist and the son of financier Jay Gould. He was the owner of French Riviera casinos and hotels.
     He was born on December 4, 1877 to Jay Gould and Helen Day Miller (1838–1889). On December 1, 1901 he married Helen Margaret Kelly and had twin daughters, Helen Gould and Dorothy Gould (1904–1969). They divorced in 1908. The Wichita Daily Times, Wichita Falls, Texas, wrote: "Frank Jay Gould and his wife who was Helen Margaret Kelly have separated and it is said Mrs. Gould has brought action looking for a legal separation. Jealousy on the part of Mr. Gould, due, it is said, to the homage paid Mrs. Gould, who is a beautiful woman, by other men."
     Gould's second wife was Edith Kelly, whom he married in 1910. Edith was the sister of Hetty Kelly, who was Charlie Chaplin's first true love.
     And Albert de Courville? He was a director of theatrical productions and then, later, of films. Again, form Wikipedia: 
     Albert de Courville (1887–1960) (born in Croydon, England) was a director of theatrical revues who turned to making films in the 1930s. His two most famous films, both featuring Jessie Matthews, were There Goes the Bride (1932) and The Midshipmaid (1932). He also directed The Wrecker, an adaptation of Arnold Ridley’s play of the same name, and Seven Sinners (1936).

Tuesday, October 28, 2014

Another Nattova photo

I came across another photo, allegedly of Nattova in 1929.
Here's my "photoshop" of the photo
Three images from the 20s
Film still, 1929
Closeup of 1925 Maurice Goldberg photo

Saturday, October 25, 2014

Harry Glick v. Nattova, 1927

     Nattova seemed to go through lots of partners, although she often seemed to work with a core group, including her husband, G. Rodion, and a few others. (Her one-time partner Myrio, who seemed to cross the Atlantic with her, took on another dance partner, a well-known artist's model, who he married. They were popular in the 30s.) Sometimes she danced with a single partner: Myrio, Rodion. Her adagio acts, however, seemed to require two or more additional dancers. In the filmed adagio performance (in 1929), she has three male partners—the number necessary to perform the spectacular "jump rope" routine.
     These routines were obviously hazardous. A 1926 news article reports Nattova's "fractured nose," among other injuries, owing to a fall gone wrong. In another report, she asserts that she has been injured eight times in two years.
     This story, from 1927, describes Nattova's firing a "strong man" who had been hired for one of her adagio acts with G. Rodion. The strong man later sued but lost.
     The fellow had at some point become a major wrestler. Not long after this failed litigation, he became a corny radio personality specializing in exercise.
   
Variety
Wednesday, October 5, 1927
Vaudeville

STRONG-NOT DANCER; NATTOVA WINS CASE
Judge Holds Harry Glick Not Entitled to Unperformed Services

     Professional qualification and satisfaction are important factors in a theatrical contract concluded Judge Lauer in the $900 damage suit by Harry Glick against Nattacha Nattova, danseuse. While Glick held a written contract, the clause that he prove up to Miss Natova’s [sic] terpsichorean standards made or unmade the argument.
     The danseuse states Glick was a good, strong man, but not up to snuff on lifts and adagios for which she engaged him. Glick, who is a physical culture exponent, stated he was engaged at $150 a week and guaranteed six weeks as a strong man, not as dancer.
     Miss Nattova alleged Glick was so strong he did her bodily harm in proving weak on the dance partnership when with the "Greenwich Village Follies." Glick argued he was let out when the revue management concluded that Miss Nattova's partner, G. Rodion, was all necessary, and that she did not need two team-mates.
     Following argument by Sidney Kalfus of Kendler & Goldstein, representing Miss Nattova, Judge Lauer gave her the decision.

• Who was Harry Glick? American Radio Digest, 1933:


Tuesday, October 21, 2014

Nattova moves to California, dies in Pasadena in 1988


     It appears that I've made some headway in learning the fate of our mystery girl, Natacha Nattova, the celebrated dancer (model, poet, painter, inspiration). I have reason to believe that, by the mid-30s, Nattova, then known as Nathalie (sometimes "Natalie") Daks, made a splash suing her husband, the noted dancer Nicholas Daks, and accusing another Russian dancer of being a marriage-wrecking Jezebel. By the fifties, sporting the name Natalie Daks, she was living in California, where she commenced maintaining a low profile. She eventually died, in Pasadena, in 1988.
     I'm pretty sure that's all correct. There remain huge gaps in her record, however.
     So let me tell you what I've found:
    First, I came across this odd New York Times article (snippet):
New York Times: Natacha Nattova and Nicholas Daks Wed by City Clerk.
     Natacha Nattova, Russian dancer, who has appeared in "The Greenwich Village Follies," night clubs and vaudeville, was married yesterday to Nicholas Daks, ...October 5, 1928
     I had already come across references to Nattova's marriage to a dancer circa 1928. According to one source, this led to her firing one of her male colleagues to make room for hubby. It's nice to learn just who she married: Mr. Nicholas Daks (b. 1899), an ethnic Russian (Russian Jew?), like herself, who arrived in the U.S. (from Constantinople!) in 1923. He likely was in her shadow as a member of her adagio company in the 20s, but, through the years, he seems to have become a well-known "Broadway" dancer and arranger in a career of some note that stretched at least into the 50s. (By the early 40s, he danced with a woman named Muriel. The two eventually married and retired to Florida.)
     I next found this marriage index record:

Name:Nickolas Daks
Gender:Male
Marriage Date:4 Oct 1928
Marriage Place:Manhattan, New York, USA
Spouse:Natcha Nattove
Certificate Number:24342

     I'm guessing that "Natcha" is a garbling of "Natacha," though perhaps it is a variant of that name. The variation in the spelling of "Nattova" likely reflects indecision regarding how best to Anglicize the Russian (or Russian/Jewish?) original, whatever that was. (Hence, "Nattova," "Natova," "Nattove.")
     But I also found this New York naturalization record (Oct 1931) for Nicholas Daks:


     This record indicates that Daks married "Nathalie" on October 4, 1928—the day before the Nattova/Daks wedding report in the Times. It also indicates that Nathalie was born in Petrograd, Russia, in 1907. Our girl Natacha was born in Petrograd, Russia, in 1905.
     (Note to self: Recall that "Natacha" is a common nickname for Nathalie among Russians. See earlier discussion.)
     The upshot: it is highly likely that the famous Nattova of the period of 1923-1931, is the same person as the low-profile Nathalie (or "Natalie") Daks, wife of increasingly prominent dancer Nicholas Daks.

     Here's something else I came across: a border crossing record (U.S. to Canada) for Nathalie Daks, 1929:

Name:Nathalie Daks
Age:24
Estimated Birth Year:abt 1905
Arrival Port:Windsor, Ontario
Date of Arrival:22 Sep 1929 
Birth Location:St. Petersburg, Russia
Gender:Male
Citizenship:French

     (I shall assume that the above gender factoid is simply an error.) Here, Nathalie's birth year—1905—is the same as the one Nattova gave on the manifest for her 1925 voyage to the U.S. Nathalie indicates that she is a "dance artist," that she is married to Nicholas Daks, and that she speaks French, Russian, and English. Further, she is French by nationality and was born in St. Petersburg (Petrograd is the same city as St. Petersburg)—all things true of Natacha Nattova.
     This woman is Nattova. (Oddly, the record indicates that Nathalie was "rejected" by the Canadian authorities. See.)
     I mention all this because it supports the notion that the woman known as "Nathalie Daks" in the 1930s is indeed the famous 1920s dancer and model (and poet and painter) Natacha Nattova. As we'll see, other factoids/records—to be revealed momentarily—might raise questions about the identity of the woman called "Nathalie Daks" in newspaper articles in 1934.

     But first: here's something interesting. I came across a 1934 New York Times article indicating that Natalie (Nathalie?) sought an "alimony plea" re hubby Nicholas Daks:
Dancer Loses Alimony Plea. (New York Times)
     Temporary alimony and counsel fees sought by Natalie Daks, I dancer, in a divorce action against her husband, Nicholas Daks, also a dancer, were denied ...
November 18, 1934
        The larger story, here, is mighty lurid. It is laid out (to some degree) in this article in the LA Times, also dated Nov. 18, 1934:



     And here's something from the Brooklyn Daily Eagle published on the same day:

The Brooklyn Daily Eagle, Nov 18, 1934
Variety, Nov 1934
     Before proceeding, I want to show you this travel record for "Nathalie Daks" for late 1933. Her DOB, birthplace, and other facts (in this record) strongly suggest that this Nathalie Daks is Nattova. In this record, Nathalie (who is Nattova) also indicates that she is married—presumably, to a Mr. Daks.

NAME:Nathalie Daks
ARRIVAL DATE:2 Sep 1933
BIRTH DATE:1905
BIRTH LOCATION:Russia
BIRTH LOCATION OTHER:petrograd
AGE:28
GENDER:Female
ETHNICITY/ NATIONALITY:Russian
PORT OF DEPARTURE:Boulogne sur Mer, France
PORT OF ARRIVAL:New York, New York
SHIP NAME:Statendam

     So Natalie Daks (aka Natacha Natova), on her return from France (Sept 1933), does not return home to Nicholas but lives in another apartment, though she later rejoins Nicholas. About a year after her arrival, however, she brings a lawsuit against Tatiana Tuttle, a Russian dancer married to a Hollywood director, for "alienating the affections of Natalie's husband, Nicholas Daks." Naturally, she is litigating against her husband, too, demanding alimony payments, though that effort fails. (Does this mean that divorce proceedings had begun? That the divorce had already been granted?)
     Given Nattova's celebrity up through at least 1929 (and likely into the 30s), it is odd that none of these articles mentions that Natalie Daks is in fact none other than the celebrated Nattova. If reporters knew only that she was bringing suits against Tuttle and her hubby (or ex-hubby), a known but not famous dancer, there is no reason that they would suspect that she, Mrs. Daks, is Nattova. Perhaps Nattova had reason to distance herself from her past and failed to point out to reporters exactly who she was.
     Could it be that this litigious Natalie Daks of 1934 is not Nattova? I raise this question because there are 1932 marriage records indicating that Nicholas Daks (or, at any rate, a Nicholas Daks) married another Natalie, a younger one born in New York.
     Here's something (else) peculiar: near as I can tell, our girl Nattova was still married (or at least continued to claim to be married) to Daks as of the census of 1940.

1940 U.S. census:

43
29

     It is clear that, eventually (perhaps in the 40s), Nicholas Daks married dancer Muriel Gray, who eventually died in Florida in 2009. Newspaper records indicate that Muriel and Nicholas danced together at least by 1941. (Daks himself died in 1978, also in Florida. I believe that he was still married to Muriel when he died.
     Puzzling, ain't it?


BUT WHO IS NATALIE SCHMIT?
    In a record I found at Ancestry.com, this fact is recorded: that, in 1932, Nicholas Daks marries  "Natalie Schmit." That's pretty confusing (unless there's more than one Nicholas Daks in New York at the time, which would seem unlikely). 
     Here it is: 

Name:
Nicholas Daks
Gender:
Male
Marriage Date:
7 Jan 1932
Marriage Place:
Manhattan, New York, USA
Spouse:
Natalie Schmit
 
     Who on Earth is Natalie Schmit?
     I found this record in the 1940 census for "Natalie Schmit." Given her birth date and location (and address), it is clear that this gal isn't Nattova:

Name:Natalie Schmit
Age:25
Estimated Birth Year:abt 1915
Gender:Female
Race:White
Birthplace:New York
Marital Status:Single
Relation to Head of House:Sister-in-law
Home in 1940:New York, Kings, New York
Map of Home in 1940:View Map
Street:Montauk Avenue
Inferred Residence in 1935:New York, Kings, New York
Residence in 1935:Same Place
Resident on farm in 1935:No
Sheet Number:7B
Father's Birthplace:Austria
Mother's Birthplace:Austria
Occupation:Stenographer
Attended School or College:No
Highest Grade Completed:Elementary school, 8th grade
Hours Worked Week Prior to Census:40
Class of Worker:Wage or salary worker in Government work
Weeks Worked in 1939:52
Income:936
Native Language:English
Social Security Number:Yes
Usual Occupation:Stenographer
Usual Industry:Public Works
Usual Class of Worker:Wage or salary worker in Government work
Neighbors:View others on page
Household Members:
NameAge
Sam Eisen42
Anna Eisen34
Evelyn Eisen14
Harvey Eisen8
Sharney Eisen2
Natalie Schmit25

     If this Natalie Schmit was 25 years old in 1940, then she would have been 17 in 1932--not someone likely to marry a 33-year-old man (Nicholas). 
     In the above record, Natalie Schmit is listed as Sam Eisen's sister-in-law. Sam's birthplace is listed as: Russia. Sam is a house painter and Natalie is a stenographer. Despite the "connection" to Russia, I don't think this woman has any connection to Nicholas.
     So who is this Natalie Schmit that married Nicholas Daks in 1932? I'm beginning to think that the Daks who married in 1932 is not our Nicholas Daks.
     Here's another factoid: I did find some U.S. Census records for 1940 that indicate that the Natalie who lived under the same roof as Nicholas Daks in New York was Nicholas' wife (she is thus described) and that she was born in Russia, not New York. So I'm thinking that, despite the messy business circa 1934, Nicholas and Nathalie/Natacha stayed married, at least on paper (or for the sake of census), through 1940, and this Natalie Schmit has nothing to do with our saga.
     Maybe these people had a reason to list Natalie/Natacha as Nicholas' wife (in 1940) even though they had long been divorced (i.e, since the mid-30s). Perhaps, further, Natalie/Natacha wasn't really living in that building. (Maybe she was in Canada. Who knows.)
     I'm trying to nail down the date of Murial Gray's marriage to Nicholas. I know that Nicholas and Murial were performing together as of 1941. It would be odd to discover that these two married as of 1940 when records indicate that Nicholas and Natalie are married and living under the same roof in New York.

     There is a woman named "Natalie Schmidt" (note thd "d") listed in the 1940 U.S. census, but she's living at another house than Nicholas'. I am disinclined to pursue this person.

     One might suppose that Nicholas Daks divorced our girl Nathalie/Natacha some time before 1932 and then married "Natalie Schmit" (in 1932). The problem is that there are fairly compelling reasons to suppose that the litigious Natalie of 1934 is our girl Nattova--those reasons being that the Litigious One had just been in France, Nattova's original home (after escaping Russia). Surely, that gal was our Nattova, not a new "Natalie."
     For what it's worth, we have some reason to suppose that Nattova was litigious or at least that she was legally "careful." You'll recall that she went out of her way to register (copyright?) her dance routine and to announce to other entertainers her intention of suing anyone who copied her routine. Sheesh. One wonders how common that sort of thing was.

NATACHA/NATALIE IN CALIFORNIA:

     Then there's this California naturalization record from 1955:


     Note the date of birth: 1905 (that's our Natacha's DOB). She indicates that her name was "formerly" Nathalie (she's lost the "h").
     I'm thinking this Californian is our girl Natache Nattova--formerly Mrs. Nicholas Daks. I'm  also beginning to think that she had some kind of peculiar arrangement with Daks up through at least 1940, and that she had little to do with the Mr. Daks.
     Here's yet another border crossing [immediately below]--this one from 1932. It pretty much clinches the fact that Natache is the "divorce" Natalie of 1934:
     Note that this 1932 "border crossing" record suggests that Natalie's move to Canada is "permanent." (See below.)
     On the other hand, it's clear that there's lots of fudging about biographical facts on manifests and travel records. E.g., birth dates are all over the place, even for men.

Name:Kathalie Gakkel Daks
Arrival Date:14 May 1932
Port of Arrival:Blaine, Washington, USA
Residence Place:New York City NY
Age:23
Birth Date:abt 1909
Birth Place:Petrograd, Russia
Birth Country:Russia
Gender:Female
Race/Nationality:Russia (Russian)
Record Type:Cards

     Here's the actual May '32 record:


     This Nathalie Gakkel Daks indicates that she was born in Petrograd, Russia, that she is a professional dancer, that she is a Frenchwoman who is Russian and that she is married to Nicholas Daks of New York. She indicates that she arrived in New York in 1925 (which is also correct about Natache).
     (Incidentally, she indicates that she is 5 foot 4 inches tall. I recall reading a comment from a former student to the effect that Nathalie von Hoyer was "tall.") 

     There is a California "death index" record according to which Natalie died in the LA area in 1988!

Name:Natalie Daks

Gender:Female
Birth Date:8 Aug 1910
Death Date:7 Mar 1988
Death Place:Los Angeles

     Could this be our girl? Yep.
     Heres a corresponding Social Security death index record:

Name:Natalie Daks

SSN:551-54-0547
Last Residence:
91109 Pasadena, Los Angeles, California, USA
BORN:8 Aug 1905
Died:Mar 1988
State (Year) SSN issued:California (1956)

     Curiously, the birthdays are the same—August 8—but on different years. (Pretty typical. I've seen DOBs for Natacha ranging from 1900 to 1911, and she seems to be behind some of this obfuscation.) The first indicates 1910 but the second indicates 1905 (which matches Natache's stated birth year on the manifest of her passage to New York in 1925; see).
     The death dates seem to match.
     These two records are of the same woman; and I'm pretty sure that woman is Natacha Nattova.

THE MISSING YEARS (1934 - 1955):

     But what was our girl doing from 1934 until 1956 (see above)? Was she living in Canada? Why did she move to California (Pasadena?)? What did she do there? (She would have been 51 years old in 1956. That's still pretty young.)
     Was she really living in New York in 1940 or was that some sort of useful fiction?
     In the 1932 travel manifest, Natalie/Natacha indicates that she lived in the U.S. from 1925 until May 7, 1932. Then, on May 14, she travels to Canada. Where was she during that week? A week is not enough time to travel to Europe. And, again, on these papers, she indicates that her move to Canada is permanent, though she indicates that she has no relatives in that country.

Nicholas Daks’ residences:
1927 – April - 353 West 118th
1931 – Oct - 9 West 69th
1932 – Feb - 9 West 69th
1934 - Daks: ?; Nattavo: 24 West 71st in Manhattan; Daks & Tuttle?: 53 W. 73rd
1940 (Nicholas Daks, 43 and Natalie Daks, 29)
- West 53rd Street #40
The two are married, living here
This Natalie is likely Nattova
1942 - Directory: NICH. DAKS
1307 6Av CI rele 7-3739, Manhattan
1944 - Directory: NICH. DAKS
1307 6Av CI rele 7-3739, Manhattan
[?] - NICH. DAKS, RESIDENCENicholas Daks (same b date)
- 2780 Eastern Blvd, Baldwin, NY, 11510-4107

P.s.: Gary Chapman (here) seems to suppose that Nattova's real name was "Natalie Schmit."