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| "Playtime" at the Piccadilly Hotel, 1925 |
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| Natacha Natova (the initial photo) |
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| Natasha: closeup |
[I can be a bit obsessive. The following post, a few hours' work, illustrates the phenomenon. I've added to it since then. I don't think I'll ever get to the bottom of this thing.]
It's no secret that I love artifacts of times past, especially those with which I have some connection—a shared locality, interest, whatnot.
I’m especially a sucker for photos of
mystery babes of the past.
Earlier today, I came across a picture of a Russian dancer who performed with her troupe (a “company”) in the Vaudeville circuit in the late 20s-early 30s. Her name was
Natacha Natova. See above.
Intriguing, eh? I'm obsessed!
It's the only pic I could find specifically of this mysterious
Natacha Natova. She is sometimes described as a “famous” dancer—a "danseuse"—but, beyond the fact that she had a company that performed in a 1929 movie, I can find almost
no information about her at all. [Well, see
UPDATES.] I did come across an obscure remark in a French article that seemed to say that Ms. Natova went to America because of Americans' relative embrace of the "cult" of energetic dancing—a phenomenon at the time perhaps related to jazz. (
Natacha NATOVA - brillante danseuse russe classique était folle du jazz et elle le considérait comme l'expression parfaite du culte de l'énergie qu'avaient les Américains à cette époque.)
One ship's manifest, recording Natova's trip to the U.S. in 1925, indicates that she was born near St. Petersburg, Russia, a cultural center and home to perhaps the most important figures of 20th Century ballet.
Serge Diaghilev was originally based in that city.
Yep, she and the
Natacha Natova Company appeared in
The Hollywood Review of 1929, MCd by a wisecracking—and racist, by today's standards—
Jack Benny. Here’s their part of the movie, doing an adagio dance:
Apparently, an
“adagio” act entails the throwing, spinning, and twirling of a petite dancer/acrobat, and Natova was the baton du jour. Here's a still of our girl being used as a jump rope:
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| Natacha as rope, 1929 |
I found a book that mentions Natova (spelled Nattova) on the circuit in 1929. It includes this clip, evidently from Billboard, April 6, 1929:
It appears that Natova later continued such an act with the popular variety performers (in Britain, I believe), the
Ganjou Brothers, but Natova decided to go solo in 1931 and was then replaced by a dancer named Juanita (the
Ganjous had a “Juanita” version of the act, I think, well into the 50s.
See). [
UPDATE: it appears that the troupe that performed on film in '29 was the Ganjou Brothers [Bob & George; Serge was still in Europe]. For some reason, they used Natova's name. The Ganjous, who were Polish/Russian, later produced the Dior Dancers.)]
I noticed that Ancestry.com has a record of a
Natacha Nattova (note the 2 T’s), born about 1905 in Petrograd, Russia. Nevertheless, her ethnicity is listed as “French.” (The
Ballet Russes, albeit "Russian," never performed in Russia; it was essentially self-exiled and based in Paris.) She sailed the
Aquitania to New York on Nov. 6, 1925, from England.
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| Natacha arrives in New York, 1925. (Click on graphic to enlarge.) |
That looks like our girl, all right.
Unfortunately, that's pretty much all that I can find on Natacha. But I have run across yet another female Russian dancer of the time, one
Nina Natova. Could it be that Nina is Natacha? Or are they sisters? What gives? I'm thinkin'
sisters.
[UPDATE: I've done further looking and have found that, in Britain,
Natacha Nattavo (two t's) had a male dance parter,
Jean Myrio, and, together, they were called "Myrio and Natacha" or "Natacha and Myrio." The partnership seems to have existed on both sides of the Atlantic, for I've found records of the two in Britain up through September, 1925, but then in the New York area in 1926. By late 1927, however, she was dancing with
G. Rodion and
Harry Glick. She fired (or had fired) the latter, who sued but lost the suit (see below). (She explained that Glick was not strong enough to catch her or toss her around and that, besides, there was no need for a second man.)
It appears that Myrio's real name (but who knows what's real with this crowd) was
Jean Henry [or Henri Jean] Raoul Delteil, a classically trained dancer (and Russian? French?), who later married a famous artist's model, known as
Desha Delteil (1899-1980). The two formed their own dance duo and performed in Britain and France in the 1930s:
[Desha Deltiel] married Jean Henry Raoul Delteil, known as Jean Myrio, another classically trained dancer from [Michel] Fokine's company. In the 1930s she and Myrio performed at a number of nightclubs in Paris and London, and their dance interpretation of George Gershwin's Rhapsody in Blue at the Kit-Cat Club was recorded in a Pathé motion picture review. In 1939 they worked at the Casino de Paris together with Josephine Baker. Jean had a small house in the Dordogne where Maurice Chevalier, with friends Nita Raya and Josephine, were hidden from German invaders during World War II. After the war, Desha and her husband established the first classical dance school in the French town of Bergerac. A French source claims she died in 1980 and is buried in Bergerac.
Myrio's mentor, Fokine, hailed from St. Petersburg and studied at the
Vaganova Dance Academy. You'll recall that Nathalie Hoyer studied under
Agrippina Vaganova and that she, too, hailed from St. Petersburg, as did our girl Natacha (Petrograd). Good grief.
Oddly (or?), our girl Natacha was
also a famous model, having modeled for famous artists by (I believe) 1923 (Serge Yourievitch, Emile Arthur Soldi-Colbert). In fact, Natacha Natova (or Nattova) was voted as having the most beautiful figure of any "foreigner"--not sure when. About 1927? Photos of her during that period testify to her beauty.
I've also found that, in London in 1925, she actually slapped a fellow performer during an argument. (See clippings below.) It's hard to tell what that was about, though one reporter referred to "jealousy."
]
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| Nattova & Rodion, Scherl's Magazine, 4.1928, H.2, Februar |
* * *
As we'll see, Natacha Nattova's early partners included:
Jean Myrio, aka Jean Henry Raoul Delteil or Henri Jean Raoul Delteil
Gritzanov Rodion (later, Radion Gritzanov)
Val [Valagimer] [Vladimir] Gueral
Nicholas Daks
G. Bogdan (aka Bogdan Ganjou)
Harry Glick (briefly)
William Hendricks (from Copenhagen, Denmark; among the film dancers?)
George Church
Bob Konyot (1915-2000)
Who was G. Rodion?
Natacha's partner c. 1927-8
Records found on Ancestry.com
Gritzanov Rodion (naturalization) Russian Pol Age 32
Feb 4 1929
Manger Hotel
Unmarried
April 17, 1928
Petition for Naturalization Gritzanov Rodion ALSO Rodion Gritzanov
Has resided in New York since Jan. 1, 1914
Dancer and Actor, Manger Hotel
B. Oct 22, 1896 New Macshanitza, Russia
Renounces citizenship, Russia, Poland
Witnesses: Suzanne Barse, dancer; Martha Arnold, dancer
Radion Gritzanov
b. Oct 22, 1896
d. April 1968
ss 125-09-1924
10024 New York, New York, New York, USA
* * *
Here's a pic of Nina:
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| Nina Natova |
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| Nina's the second from left (with her Monte Carlo pals, Natalie beside her) |
Evidently, these photos depict Nina when she was a member of the
Monte Carlo Russian Ballet, performing 'Les Cent Baisers.' The picture was taken by a Dr. Evan Murray-Will, who photographed performers from the Ballets Russes while they were on tour in Australia from 1936-7.
Let's compare Nina's photo with photos of Natacha snatched from the movie made seven years earlier:
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| Natacha |
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| Natacha |
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| Natacha |
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| Natacha |
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| Natacha |
--And, of course, there's this photo, which is not dated, but looks early:
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| Natache |
Maybe they're sisters. Nothing I see here suggests otherwise. I just can't tell.
I mentioned that Nina went to Australia. I have several shipping records indicating that Nina travelled to Australia:
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| From ship manifest for N. Natova, arriving in Australia, 1936 |
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This indicates that, in Dec. of 1933, Nina travelled from Britain to New York
at age 25 (indicating that her birth year was about 1908). See below. |
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Nina travelling from London to Brisbaine (Australia), in Sept. of 1936.
Natalie Hoyer, her sister, is also on the list |
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| Nina's petition for naturalization (in New York), January, 1933 |
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| Ancestry.com records indicate that Nina died in New York (state) in 1972. |
Good grief! I just came across this factoid: Nina Natova is the sister of Nathalie Branitzka (who seems also to go by the name Nathalie Hoyer). I've come across Nathalie or Natalie's name several times today; she was important in the Ballet Russes scene of the 30s.
And get this. I remember reading (some time today) that "Natache" (and "Natashe") is the Russian pet name for "Natalie." So Maybe Natalie/Nathalie is our mysterious Natache. But I'm not sure yet. Don't want to jump to conclusions.
Before receiving that revelation, I discovered that Nina may have first arrived in the U.S. in 1933—at least she travelled to NY from England at that time (but possibly not for the first time). In New York, in the same year, she petitioned for naturalization (see above).
Curiously, by 1935 (and through 1936), she worked at a dance school called "Natova-Snodgrass" in Columbia, South Carolina—that must've been just before she headed for Australia with the Monte Carlo Russian Ballet. (A "Frances Snodgrass" appears on some of these shipping manifests, along with Nina and Natalie.)
I also learned that Nina returned, from France to the U.S. (New York), in late 1939. (Do you suppose the Natovas were Jewish? Clearly, many in these companies were) It seems clear that she ultimately remained in the U.S. She died in Sea Cliff, Nassau in 1972.
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| Natalie (Nathalie), late 30s? |
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| Nathalie Branitzska in Australia |
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Dancers from the Monte Carlo Russian Ballet at Bungan Beach, New South Wales;
left to right, Jean (Jan) Hoyer, Anna Skarpa (crouching), Nathalie Branitzka,
unidentified dancer, two friends, and Igor Youskevitch, 1936 or 1937. (See) |
Let's get back to Nathalie (or Natalie). I found a ballet Russe
website that offers this bio:
Nathalie Branitzka was born July 18, 1905, in St. Petersburg, Russia. She studied ballet at the Petrograd Ballet School under the famous teacher Agrippina Vaganova in St. Petersburg. She later studied with Lubov Egorova in Paris. She started her professional career in the Anna Pavlova Company, continuing with Diaghilev’s Ballet Russe and appeared with Vera Trefilova and Pierre Vladimioff in Berlin. Following Diaghilev’s death, she performed with Boris Kniaseff's ballet company in Paris in 1930. She joined with De Basil's Ballet Russe de Monte Carlo dancing from 1932-1937. Rising to soloist, she made a world tour and appeared in many works by Leonid Massine, including Choreartium, Jeux d'Enfants, Beach and Scuola di Ballo, and in Mikhail Fokine's Carnaval and Les Sylphides. She moved to US to teach with her husband, Jan Hoyer, who had also been a member of both companies. She was the director of her own eponymous ballet school in New York City. She died March 8, 1977, in New York City.
The Nathalie Branitzka-Hoyer collection is our one of our largest and most diverse collections. It was donated by her son, Andre von Hoyer.
Recall that the 1925 passenger manifest for "Natacha Nattova" indicates that she was born in Petrograd, as was Nathalie (see above). Interesting. Still, there's no mention of the (Natacha) Natova Company here and, indeed, there would seem to be some confict with Branitzka's activities from 1929-1930 (above) and the apparent location and activities of our Natacha during the same period (evidently in the U.S.). Further, it seems highly unlikely that a dancer with this hard-core ballet background would have anything to do with American vaudeville or Hollywood films, those presumably lowbrow entertainments. And so, despite the delicious facts that (1) "Natache" is the Russian pet name for Natalie and that (2) Natalie's sister's last name was "Natova" (etc.), I don't think that Natalie is our mystery woman. And since (among other reasons) Nina arrived in the states in 1933 (not sure about that), I don't think Nina is Natache either.
Could it be that Natache is a third sister, a
rogue sister? Maybe.
On the other hand...
I've just come across this picture of Nathalie Branitzka likely from her time in Australia:
It's signed by
Natasha Branitzka! OK, now I'm confused. (Note, however, that she spells the name with an s, not a c.)
Gosh.
UPDATE: It's time to start comparing photos, I think. I took stills of Natacha from the 1929 film and a photo of Natalie c. 1936—the one with her husband and sister (below), among others. In the first comparison below, I took the hair from the '29 photo and put it around Natalie's head at the right.
We'll, if you ask me, they're the same person. I'm aware, of course, that people often do disagree about such resemblances.
For now, I'm thinking that fancy Ms. Nathalie Branitzka, the ballet dancer, is none other than lowbrow Ms. Natache (or Natashe) Natova, the vaudevillian.
If so, then it's curious that the available literature on Nathalie makes no mention of that odd, early period of her career. Or maybe it's obvious what's going on: she wished to distance herself from her vaudevillian/Hollywood adventures. Could be. Or maybe there was a political reason for obscuring her American adventures.
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| Natacha in 1929, Natasha in 1936 |
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| Natache at left; Nathalie at right. Same gal? |
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| Natacha Natova, 1923?-1927 |
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| Nathalie?, Natacha |
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| Natacha Nattova, 1928; Nathalie Branitzka, c. 1937 |
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| Natache c. 1924 at left; Nathalie c. 1936 at right |
I'm now tilting in the direction of supposing that Natalie/Nathalie Hoyer/Branitzka is indeed "Natacha" Natova, though I cannot be certain.
Here's another lead: the names of the Ganjou Brothers—Bill and Bob and Serge—seem curiously to correspond (more or less) to the names of brothers (or simply guys with the same surname?) in the Ballet Russe with Natalie. The surnames don't match, but, obviously, that's no clincher: these people often seemed to go by multiple monikers. I'll see if I can nail this lead down. If the Ganjou Bros are those Ballet Russe bros (a few years later), then that about clinches it for the Nathalie Hoyer/Branitzka = Natacha Natova thesis. That is, if those guys cavorting with Natacha in the 1929 film are the same guys dancing with Nathalie years later in the Ballet Russe, then, well, bingo. --This did not pan out.
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Nathalie Branitzka, Jan Hoyer and Nathalie's sister Nina Natova.
Nathalie and Nina's surname was Zaharachevich-Kapustiansky
Захаржевич-Капустянская. |
1937.jpg) |
| New Zealand/Australia, 1937 |
SEE ALSO
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