So, just what was our girl up to in 1927? (She would have been 22 years old.)
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Strand Theatre, opening, 1914 |
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Variety, Cabaret Bills (NY), Feb 2, 1927 |
FEBRUARY. No doubt the Richman Club was run by night-club (and vaudeville) performer,
Harry Richman. Evidently, he rented the space seasonally; the club was taken over by others the rest of the year. They say he had an overpowering personality, which might explain his failure to make it as a movie actor. (See
Puttin' On the Ritz.)
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Variety, Feb 2, 1927
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FEBRUARY. I'll see what I can find out about this ballet, "Campusanna." I don't recall seeing anything about Nattova in such a production. (See composer
Charles Previn.)
She continued to perform at Richman's during this period.
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New Yorker, Feb 19 1927
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Variety, Vaudeville Reviews, March 16, 1927
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MARCH. The "terpsichorean smash" of the production—i.e., "Pompadour Days" (complete with powdered wigs)—was none other than
Nattova and Rodion. They offered "the last word in adagio specialities." "Nattova clicked heavily."
Meanwhile, our girl's still at the Club Richman.
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Variety, Vaudeville, March 30, 1927 |
MARCH. "It is the seventh similar accident in the past 14 months she has been on this side."
—Side? Perhaps the writer is referring to this side of the Atlantic. Nattova arrived by ship some time in 1925, gig in hand (Village Follies, I think).
She tore her ligament (again) at the Club Richman. Is Rodion with her at that club? Seems so.
Is our girl injury prone?
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Variety, April 20, 1927
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Variety, May 11, 1927
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Variety, Jun 2, 1927 |
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Variety, June 8, 1927
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JUNE. Richman's Club closes (as per usual in the season), and it is moved to the Madrid. Nattova switches to the "prologues," I guess (that's the name for the shows provided along with, typically before, film screenings; this sort of thing was pioneered by
Franchon and Marcos). It is a kind of marginal vaudeville, I suppose. Meanwhile, Nate Leipsig, her Club Richman colleague, moves on to vaudeville proper.
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Variety, June 8, 1927
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JUNE. OK, so now Nattova is at the Roxy, and it remains to be seen if she'll make the cut. Is this the "ballet" called "
Campusanna" referred to in February? Perhaps so.
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Variety, Aug 24, 1927 |
AUGUST. OK, so it appears that Nattova followed Richman after all—to the Madrid. Is Rodion still her partner?
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Variety, Sept 21, 1927
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SEPTEMBER. So, our girl made the cut? Seems so. I'll look up this "Stanley Co."
Is this regular vaudeville or prologues? I think it's the former. I'll do some looking.
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Variety, Sept 28, 1927
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SEPTEMBER. Nattova, a ballet dancer offering cutting-edge adagio, appears to be a big hit in vaudeville! Her act is "dangerous."
She and partner Rodion offer "a Cat and Dog Dance" and "a Moth and Flame." A "clean-cut wow."
Another writer (on the same page; see at right) declares that Nattova is "the ne plus ulstra of everything sensational." "You can go off your nut about this act." I think he did.
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Variety, Nov 2, 1927
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NOVEMBER. Something incidental: Nattova's old partner,
Jean Myrio, is now dancing with his wife, Desha, and another man. They're doing well, too. (You'll recall that Desha was a well-known artist's model. Nudes, etc.) ("Benny" is, of course, Jack Benny.)
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Variety, Dec 21, 1927 |
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Snoozer & friend |
DECEMBER. Here's an odd group. I'll see what I can find out about them.
Here's what I dug up on "
Meredith and Snoozer":
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New York Clipper, July 3, 1918
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Pacific Coast Review, 1919
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New York Clipper, 1919 |
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Billboard, July 14, 1945 |
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Deborah Jowitt, "Time the Dancing Image" |
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Ruth St. Denis, 1910 |
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