Saturday, October 18, 2014

Brief Nattova bio

Brief bio of Natacha Natova, appearing in Film Choreographers and Dance Directors:

  NATACHA NATOVA
  b. Russia, circa 1900
     Fleeing Russia as a child with her parents during the Revolution, Natova eventually settling in Nice, France. Moving to Paris in her teens, she studied at the Paris Opera and was soon invited to join the company. Interested in the new “modern” ballet, she created an unique adagio act and was brought to American in The Greenwich Village Follies of 1926. She continued on stage, in vaudeville and was featured in the Folies Bergère. Also a painter and poet, Natova began creating ballets for theater (rather than concert) and when interviewed in The Dance, September, 1928, about her latest creation, she said, “This machine age in which we live fascinates me, and I want to interpret it. You will observe that my stage set calls for a mechanical contrivance. It is supposed to manufacture men… I am to represent electricity.” It is undocumented where her career went in the 1930s.

Film: 1929 The Hollywood Review of 1929—MGM (with Ernest Belcher, Sammy Lee, Albertina Rasch)

Incidental:

 From The Jazz Age Club re the “Lorraine Sisters”:
Then in the summer of 1925 [The Lorraine Sisters (Edna and Della)] were secured by the management of the Piccadilly Hotel in London for a new edition of the famous Piccadilly Revels cabaret doubling at the Kit Kat Club. They arrived in Liverpool on 26th July aboard Adriatic in time for the launch of the show on 7th August 1925. The cabaret featured Emile Boreo, formerly of the Chauve Souris company and the acrobatic dancing team of Nattova and Myrio. The Lorraine Sisters were described as ‘tall, slim and attractive dark haired girls’, they gave ‘simultaneaous whirls amid white feathers and frills’ and their graceful and clever dancing introduced ‘some of the best body bending and kicking, twists and twirls.’ Their stay was successful but brief and they returned to America in October.
Again, incidental:

Hamburg NY Erie County Independent 1928-1930 Grayscale

Again:

Variety, VOL. LXXXI. No. 8
NEW YORK CITY. WEDNESDAY. JANUARY 6. 1926

Greenwich Village Follies
 Seventh annual edition of revue produced by the Bohemians, Inc., A. It. Jones and Morris Orecn, managing directors, at ChanIn's … lyrics and score by Harold L[a?]cy and Owen Murphy; staged by … Short: dancer directed by Larry … two ballets directed by Alezinder Uabrllov. [garbled]
. . .
There was a well known offer of a kingdom for a horse. The sponsors of the new "Greenwich Village Follies" would doubtless come through with a couple of horses for a laugh. Especially in the second part of the revue. The new revue is [a] sight and dancing show, and although generously enough equipped with comedians, the skits and bits are generally laughless.
 . . .
The dance sensation of the show came via Natache Nattova and Jean Myr[i]o, French team, discovered by  Morris Green. Acrobatic and agile, they aroused enthusiasm in both parts of the revue, first with "White Cargo." The man drops the smallish Mlle. [mademoiselle] Nattova into the sea from a considerable height. A trampoline is used to break the fall. In the second act and near the close "The Moth and Flamo" also ended with Mlle. Nattova accomplishing a drop, this time in full sight of the audience. Kendall Capps also scored strongly with his dancing. He Is a corking soft shoe tapper, and acrobatic stepper. Miss Delroy teamed with him at times and it was good stuff.
Melle Nattova et Melle Dambreval Tirage argentique d'époque  (c. 1928)
The Brooklyn Daily Eagle, Sunday, March 25, 1934, Page 28
RKO's Natacha Natova?
Vaudeville News, 15 October 1927

[Incidentally, I came across this from 1926:

From the Nassau Daily Review, August 13, 1926
     That she was injured is not at all surprising to anyone who has witnessed her adagio act, especially the "Natacha as rope" part (see 1929 film).

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