[See sad UPDATE at end.] I’ve done more research on Natacha Nattova/Natova. As you know, the trail seems to end in the early 1930s. Dang! But some of this new data is at least interesting.
I came across a book entitled, “Film Choreographers and Dance Directors: An Illustrated Biographical Encyclopedia, with a History and Filmographies, 1893 Through 1995.” (I’ve even ordered a used copy; I must be nuts.)
Google Scholar provides a “snippet view”:
NATACHA. NATOVA. b. Russia, circa 1900 - Fleeing Russia as a child with her parents during the Revolution, Natova eventually settling in Nice, France. Moving to Paris in her teens, she studied at the Paris Opera and was soon invited to join ...It will be interesting to see what this entry goes on to say about our girl.
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A book entitled “Kindly leave the stage!: the story of variety, 1919-1960” mentions Natova, indicating (once again) that she married a dancer—in 1929 or earlier.The entry appears to be about someone named Bob Konyot:
Re Bob Konyot (1915-2000):
Obituary for [his widow] Marion Konyot, 18 Jul 2011, the Telegraph:
Could it be that Nattova was dancing with a 14-year-old boy? Sure, I guess.…The gist of the act was simple. Bob Konyot, who had been born into one of Europe's most celebrated circus families in Budapest in 1915, posed as a "slightly arthritic dandy in a tuxedo and bad wig". Together with Marion Konyot, his "plump but gracious wife in chiffon and marabou," they embarked a Fred and Ginger routine, only for calamity to strike at every turn. . . . [Marion] met her husband during the war. Bob Konyot had begun his circus career at the age of six as a bareback rider and by the time he was 20 [1935] was part of a well-known Hungarian springboard acrobatic act, the Gondor Magyar troupe. He later went on to form his own troupe, the Konyots, which was for some years a top attraction in European circuses and theatres. Bob and his sister Elizabeth then developed a comedy act based around the concept of an artist painting his model – a burlesque number which combined acrobatics and adagio dancing. After Bob and Marion married in 1945, Marion replaced Elizabeth in the act, so beginning a remarkable half-century career in which they toured the world, from Hong Kong to Las Vegas. After their appearance on The Ed Sullivan Show, Sullivan declared them to be one of the funniest acts he had ever seen. During spells in Britain the couple lived, like many variety performers, in Brixton, south London. After her husband's death, in 2000, Marion Konyot ran their home as a popular bed and breakfast. She was also a very active member of the showbusiness organisation, the Grand Order of Lady Ratlings….
Bob and Marion
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Charmian London |
Norce, Liczbinska, Natacha Nattova and Mrs. Jack London (353 [a], [k]).- Portfolio of photographs of W.A.R. (353 [k]).- Large collection of postcards of cities, artistic forms, nudes, etc., each separate group in its own envelope (some 60 or more ...Your guess is as good as mine what that’s about.
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A book about the “Treasures from the New York Public Library” refers to Natova’s having achieved “immortality at the age of 19”:
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I found an ad in “This Week in Madison, Volume 1” that states: “featuring the Follies [sic] Bergere favorite NATACHA NATTOVA.” So perhaps our girl danced with that organization (in Paris, I suppose).
re the Folies B:
In 1918, Paul Derval (1880–1966) made his mark on the review. His reviews were to feature extravagant costumes, sets and effects, and his "small nude women". Derval's small nude women would become the hallmark of the Folies. During his 48 years at the Folies, he launched the careers of many French stars including Maurice Chevalier, Mistinguett, Josephine Baker, Fernandel and many others. In 1926, Josephine Baker, an African-American expatriate singer, dancer, and entertainer, caused a sensation at the Folies Bergère in a new revue, La Folie du Jour, in which she danced a number Fatou wearing a costume consisting of a skirt made of a string of artificial bananas and little else. Her erotic dancing and near nude performances were renowned. The Folies Bergère catered to popular taste. Shows featured elaborate costumes; the women's were frequently revealing, practically leaving them naked, and shows often contained a good deal of nudity. Shows also played up the "exoticness" of persons and objects from other cultures, obliging the Parisian fascination with the négritude of the 1920s. –Wikipedia
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I found a snippet from “Theatre Magazine, Volume 43, Issues 298-303” (1926):I cannot recall a single number of the show that stands out or that would give me the slightest desire to see it again — yes, just one, the marvelous dancing of Natacha Nattova and Jean Myrio. These terpsichorean artists do some wonderful ...
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An edition of “The Dog Fancier, Volume 36” (1927) offers this:The newspapers recently chronicled the death of Droushka, Great Dane pet of Natacha Nattova, premiere danseuse of a musical comedy. This fatuous star, like many other dog owners, thought so much of this pet, it is said, that the dog was ...
I seem to recall that Nattova's husband, Nicholas Daks, was a well-known dog fancier later in life (at least in the 50s). Perhaps there's a connection here. (Dog Fancier, Battle Creek, MI, 1902-1936)
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Natacha Nattova is mentioned in “The New York Times Theater Reviews, Volume 1” (March 16, 1926) [Recall she arrived by boat in 1925]
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Also:Revue: the great Broadway period - Page 273 The cast: Florence Moore, Clarence Nordstrom, Irene Delroy, Rene Riano, Frank Mc- Intyre, Sam Hearn, Joe Lyons, Jane Green, the Hemstreet Singers, Della Vanna, Kendall Capps, Natacha Nattova, Jean Myrio, Barnum & Bailey. Music and ...
AGVA News, Volumes 3-8 American Guild of Variety Artists, 1953 Natacha Nattova and Co. – Parisian danseuse Harry Karne mentalist Sid Marion and Co. comedy [This is likely from the 1920s]
Vaudeville News, 4 May 1929 Natacha Natova & Co Vaudeville News, 29 October 1927 Orpheum Natacha Natova
Chiparus, master of art deco - Nattova mentioned
This is probably nothing:
http://www.faillissementsdossier.be/documenten/historie/586.pdf BELGISCH STAATSBLAD — 14.04.2000 — MONITEUR BELGE Natova echtgenote Sakindi, Violeta Gueorguieva, geboren te Pazardjik (Bulgarije) op 8 juli 1960. Natova e ́ pouse Sakindi, Violeta Gueorguieva, ne ́ e a` Pazardjik (Bulgarie) le 8 juillet 1960.
UPDATE (12:00 midnight):
Pas de Deux: The Art of Partnering, p. 4
"Undoubtedly, in 1923 Natova and Myrio were the most famous couple [among adagio dancers]. She was Russian (I believe she died in Chicago in 1931); he is French...."
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On the other hand, there seem to be indications of Nattova's continued existence after 1931:
Superb Floor Show Featuring Natacha Nattova and Hank the Mule
The Scranton Republican
Scranton, Pennsylvania
Thursday, November 7, 1935
Page 3
HOLLYWOOD, CALIFORNIA, SATURDAY
PUBLISHED WEEKLY
April 2, 1932
THE INSIDE DOPE
WARNING
To whom it may concern:
The flower number, latest outstanding novelty of
NATACHA NATTOVA
in which she introduces a new type of dancing on a specially constructed apparatus consisting of a huge flower pot of various kinds of flowers, is her own exclusive invention and fully protected and patent applied for at Washington, D. C. Miss Nattova is using this apparatus in presenting her daring specialty, entitled
Anybody infringing of same in whole or part will be subject to immediate prosecution.
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Incidentally:
The Daily Star, March 23, 1931
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